STARRED REVIEW

February 2023

Top 10 books of February 2023

The 10 most notable books of February 2023, as chosen by BookPage! Includes a new mystery from Jane Harper, a posthumous memoir from beloved children’s author Jerry Pinkney, and more.

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It’s no accident that Mark Twain scholar Mark Dawidziak begins A Mystery of Mysteries: The Death and Life of Edgar Allan Poe with Poe’s mysterious death in 1849 at the age of 40. As Dawidziak reminds us throughout his ambitious, well-researched book, the circumstances of Poe’s death remain a topic of debate and conjecture, as much a part of the Poe mystique as his short, stormy life. “It is,” Dawidziak notes, “one of the great literary stage exits of all time,” and its notoriety has done much to keep Poe’s reputation alive, making him one of the most famous American authors of all time, with a pop culture following as well as a solid place in middle school and high school literary curricula.

Dawidziak adopts a clever—and appropriate—organizational approach, alternating chapters set in the last months of Poe’s life with chapters exploring his early family life, career and influences. Readers who know little of Poe’s origins may be surprised to learn that this quintessential American author spent part of his formative years abroad. Poe’s mother was a talented actor who died at the age of 24, leaving three children behind. Poe became the foster child of John and Fanny Allan (thus his middle name), who, during the War of 1812, moved to England, where Poe spent five years soaking up impressions of old houses and graveyards that fed his literary imagination.

Throughout the book, Dawidziak draws readers into the mystery of Poe’s death, which occurred shortly after he was found wandering the streets of Baltimore, Maryland, delirious and disheveled. Dawidziak, of course, has a favorite theory about the likely cause, gleaned from the various opinions of medical experts, Poe scholars, historians, horror specialists and others—but it would spoil the mystery to reveal it here. Nonetheless, his argument demonstrates one of the pleasures of Dawidziak’s excellent book: his ability to weave quotations from Poe together with first-person observations from Poe’s 19th-century contemporaries and commentary by modern experts. In this way, Dawidziak’s biography reaches beyond the myth of Poe to reveal the actual man and writer, all while painting a vivid picture of the era in which he lived. A Mystery of Mysteries makes possible a deeper appreciation of a complicated, often troubled author whose success after death surpassed anything he knew in life.

Mark Dawidziak’s biography of Edgar Allan Poe reaches beyond the myth of his troubled life and mysterious death to reveal the actual man and writer.
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In many romance novels, love requires exposure: of one’s true desires and inner secrets, often of one’s most vulnerable self. In this month’s best romances, characters can only find happiness after first finding themselves—and sharing that truth with their partner.

Behind the Scenes

Karelia Stetz-Waters pens a tender love story in Behind the Scenes. Director Ash Stewart is preparing to pitch a movie near and dear to her heart—a rom-com about two lonely women who fall in love—so she turns to successful business consultant Rose Josten for help polishing the proposal she’ll present to movie executives. While the entertainment industry is not Rose’s forte, she’s intrigued by the idea of the film as well as by the cool yet vulnerable Ash. The story unfolds at a leisurely pace that suits the cautious main characters; while Rose and Ash fall fast, they don’t trust that their attraction will result in anything real. Readers will cheer for these capable, talented and mature women, both of whom have fascinating careers and interesting hobbies. They just need to find the right person to help them fill the empty spaces and heal their wounds. Rose and Ash’s feelings for each other are never in doubt thanks to Stetz-Waters’ expertly written longing and lush love scenes. And a fairy tale-perfect happy ending guarantees smiles as the last page is turned.

Also in BookPage: Read our review of the Behind the Scenes audiobook.

Not Your Ex’s Hexes

After Rose Maxwell’s sister took over her role as witch leader-in-waiting, Rose is in need of some new life goals. An ill-advised horse-napping at the beginning of April Asher’s dashing and delightful paranormal romance Not Your Ex’s Hexes results in Rose sentenced to community service at an animal sanctuary under the close supervision of half-demon vet Damian Adams. All kinds of sparks fly between them, but he’s grumpy and she’s not interested in relationships. But a friends-with-benefits arrangement seems possible and maybe even sensible until they must face danger—and all the emerging emotions they’ve vowed not to feel. In fact, Damian is sure he can’t actually be feeling them, having been hexed as a teen, but all signs are pointing to the opposite. Asher’s second installment in the Supernatural Singles series is full of action and well-constructed characters. Heart-tugging animals and steamy love scenes make this otherworldly romance a charmer.

Do I Know You?

Emily Wibberley and Austin Siegemund-Broka have written an intriguing twist on the second-chance romance in Do I Know You? In honor of their fifth anniversary, Eliza and Graham Cutler head to a luxury resort in Northern California, hoping a vacation might revive their stalled marriage. Upon learning that there’s been a hotel mix-up and they have two rooms booked instead of one, Eliza impulsively proposes that they sleep separately. Moreover, she suggests they take on new personas so they can meet as strangers and possibly rediscover a spark between them. While hiking, eating and exercising together as their alter egos, Graham and Eliza each come to value new things about the other and recall what led to their original commitment. Readers will root for both characters in this mature and intimate examination of a relationship.

The Duke Gets Even

A happy ending seems impossible in Joanna Shupe’s The Duke Gets Even. Andrew Talbot, the Duke of Lockwood, is desperate to wed an heiress and fill his family’s coffers. But then his antagonistic relationship with free-spirited American Nellie Young transforms into a burning passion. The duke lost out on love in the previous installments of Shupe’s Fifth Avenue Rebels series, and it doesn’t seem like his luck will change: He needs to marry for money, and Nellie can’t imagine life as an English duchess. An affair with Andrew as he seeks the right bride will have to be enough, except, of course, it quickly isn’t. The appealing Nellie wants more for herself and other women of her time, and she’s not at all ashamed of her sexual appetites. Honorable Andrew feels the weight of his responsibilities, yet the fiery ardor he shares with Nellie—featured in feverish love scenes—turns his world upside down. Sensuous and sophisticated, The Duke Gets Even is a satisfying climax to a wonderful and romantic series.

Make a Wish

Romances between a single father and a nanny are a beloved genre staple, but author Helena Hunting explores the trope sans rose-colored glasses in Make a Wish. When she was 20 years old, Harley Spark worked as a nanny for newly widowed Gavin Rhodes. She fell in love with his baby daughter, Peyton, and perhaps with him, before Gavin and Peyton moved away. Seven years later, Gavin and Harley reconnect—and there is an obvious attraction between them. Their happily ever after appears inevitable, until grief, guilt and in-laws step in. Make a Wish chronicles Gavin and Harley’s authentic doubts and fears, with sizzling love scenes and sweet moments creating a sigh-worthy love story.

In this month’s best romances, characters can only find true love after first finding themselves.
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The Bullet Garden

After writing a trio of books about ex-Marine sniper Bob Lee Swagger, author Stephen Hunter launched a second series featuring Bob Lee’s father, Earl Swagger, who is also a Marine and a Medal of Honor recipient to boot. It’s been 20 years since Hunter’s last installment in the senior Swagger series, but it comes roaring back this month with The Bullet Garden. The book serves as a prequel to the three Earl Swagger books that preceded it (Hot Springs, Pale Horse Coming and Havana), chronicling his adventures in France during the days immediately following D-Day. Swagger spearheads a secret mission to track down and kill German snipers who are systematically picking off Allied soldiers crossing the Normandy meadowlands (which the troops have nicknamed “bullet gardens”). A sniper himself, Swagger is a natural fit for the job at hand, but even his legendary skills will be sorely tested in this milieu. Fans of firearms history will find lots to like in The Bullet Garden, as will military strategy buffs, but there is truly something for everyone: a budding romance; layers of duplicity and intrigue; and an omnipresent sense of the importance of working together for a greater cause. 

Encore in Death

J.D. Robb’s Encore in Death is the (are you ready for this?) 56th entry in the wildly popular series featuring Eve Dallas, a police detective in 2060s New York City who, by my calculations, should be celebrating her first birthday just about now. Despite being set in a Blade Runner-esque future of androids, airboards (think hoverboards) and the much-appreciated automated chefs, Robb’s mysteries don’t need to rely on sci-fi trappings to engage the reader. They are straight-up classically constructed whodunits. And this case features a time-honored murder weapon: cyanide. Just as A-list actor Eliza Lane takes the stage for an impromptu song at her latest high society Manhattan party, there is a crash of glass, and Eliza’s husband, equally famous actor Brant Fitzhugh, collapses to the floor—dead, with the smell of bitter almonds emanating from his lips. The initial thinking is that Eliza was the intended victim, as Brant sipped from a poisoned cocktail he was holding for her, but as the investigation wears on, alternative possibilities present themselves. As all of the suspects have connections to the stage, there is no shortage of drama as the case unfolds. Robb is the pen name of legendary romance author Nora Roberts, and while that’s certainly evident in her descriptions of her male leads (“Those sea-green eyes still made her heart sigh, even after a decade . . .”), the suspense is also there in spades.

The Sanctuary

Of all the awful ways to die, being vertically bisected by an industrial saw like the murder victim in Katrine Engberg’s final Kørner and Werner mystery, The Sanctuary, must rank right up there at the top. The unidentified man’s left half turns up in a partially buried leather suitcase in a public park, and Copenhagen police detective Annette Werner is on the hunt for the killer. Clues lead to the remote island of Bornholm, an insular enclave where everyone knows everyone else’s secrets, but nobody seems disposed toward sharing any of that knowledge with the police. Subplots abound: a missing young man, possibly on the lam from the law, possibly the victim in the suitcase; a zealous preacher who roundly rejects the biblical teaching of turning the other cheek; a biographer whose scholarly visit to Bornholm to examine a deceased anthropologist’s letters is stirring up some old, long-quiet ghosts; a garbage bag full of money that nobody seems to be able (or willing) to account for. The identity of the culprit is an enormous surprise, but more surprising still is the emotional closure Engberg brings to long-running storylines, resulting in a very poignant moment for fans of the series in addition to a satisfying solution to the central mystery. 

The Twyford Code

Narrative conventions are cast to the four winds in Janice Hallett’s impressive second novel, The Twyford Code. The story consists of 200 fragmented voice transcriptions made by Steven “Smithy” Smith, a none-too-savvy mobile phone user who has only recently been released from prison in England. At loose ends, he decides to investigate the mysterious disappearance of his secondary school English teacher some 40 years back. Miss Iles (who often humorously appears in the transcriptions as “missiles”) had something of an obsession with the children’s books of one Edith Twyford, a character loosely based on real-life bestselling children’s author Enid Blyton. On a class field trip to Bournemouth to visit Twyford’s wartime home, “missiles” dropped off the map, never to be heard from again. As Smith’s belated investigation proceeds, he becomes increasingly obsessed with Twyford’s books as well, uncovering what may be hidden messages therein. State secrets, buried treasure, buried bodies? The clues are all there, but it will take a cannier puzzle-solving mind than mine to decipher them before Hallett is ready for the big reveal. The Twyford Code is easily one of the cleverest and most original mystery novels in recent memory, with an engaging main character, dialogue that grabs (and requires) your attention and more head-scratching suspense than any other three books combined.

A mystery told through voice transcriptions shouldn’t work, but The Twyford Code isn’t just this month’s best mystery—it’s one of the cleverest whodunits in recent memory.
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When you gaze at the quilted cover of A Flag for Juneteenth, you will want to reach out and touch it. The artwork depicts a girl wearing a fuchsia dress and kerchief standing proudly in front of a flag, the bright colors of her outfit vibrant against the flag’s soft yellows and greens. The girl’s brown face has no features—nor do the faces of any of the book’s characters—because author-illustrator Kim Taylor wants readers to be able to imagine themselves in this story. 

Then you open A Flag for Juneteenth and discover that Taylor quilted all of the illustrations in her debut picture book, and you realize that her textile art perfectly complements her evocative prose, creating an excellent portrayal of Huldah, a Black girl living with her enslaved family on a Texas plantation in 1865.

As the book opens, it’s the morning of Huldah’s 10th birthday. Taylor’s embroidering transforms mottled brown fabrics into textured tea cakes, a special treat baked by Huldah’s mother for her daughter’s birthday. “The scent of nutmeg and vanilla floated through our cabin,” Taylor writes, and her stitched text forms a winding ribbon of words that waft up from the plate as Huldah breathes in the sweet smell. 

Soon, Huldah hears the “loud clip-clippity-clop of heavy horses’ hooves” as soldiers ride onto the plantation. She witnesses their historic announcement: President Abraham Lincoln has freed all enslaved people! Taylor emphasizes the importance of this declaration by placing a lone soldier onto a white quilted background. She embroiders the proclamation that he reads “in a booming voice,” forming four lines of text that radiate from his figure.

Elation follows, and Huldah hears shouting and singing. Images of celebration feature the outlines of surprised, ecstatic people jumping and raising their hands in the air for joy. Taylor sets their multicolor silhouettes against gentle yellow-orange ombre fabric that’s quilted with sunburst lines, as though the people have been caught up in rays of light. 

Huldah watches as a group of women begins to sew freedom flags. Children gather branches to use as flagpoles, but Huldah goes one step further. She climbs her favorite tree and captures a sunbeam in a glass jar, preserving this extraordinary moment in time forever.

Juneteenth became a federal holiday in 2021, and A Flag for Juneteenth exquisitely conveys the day’s spirit of jubilation and freedom.

Read our Q&A with ‘A Flag for Juneteenth’ author-illustrator Kim Taylor.

Kim Taylor’s portrayal of a girl witnessing the first Juneteenth, accompanied by exquisite quilted artwork, is filled with a spirit of jubilation and freedom.
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You may have learned in high school that the post-Civil War Reconstruction was an inevitable failure. In her latest book, I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction, historian Kidada E. Williams demonstrates that, far from dying a natural death, Reconstruction was destroyed in a not-so-secret war waged against Black citizens.

Williams argues that the end of Reconstruction was the explicit goal of Confederates who refused to accept their military defeat. Abetted by war-weary white Northerners who wanted to put the Civil War behind them, a president who had no interest in securing civil rights for Black people and authorities who didn’t care to enforce the law, armed militias and Klansmen engaged in a concerted battle to destroy Black citizens who voted, ran for office or merely owned and farmed their own land. These white aggressors invaded homes and subjected Black Americans to a host of crimes, from arson and torture to rape and murder. The destruction of property alone amounted to millions of dollars in today’s currency, while the damage to victims, their families and their communities remains incalculable.

Williams, an associate professor of history at Wayne State University, lays out her case with forensic precision. She writes with authority about the political and social circumstances that enabled these attacks, as well as the impact that these acts of terror had on Black people’s health and financial security, for both the injured parties and the generations following them. But her most compelling evidence comes from the victims themselves: witness testimonies from the Congressional hearings on the Ku Klux Klan in 1871 and transcripts of Works Progress Administration interviews with the last survivors of slavery in the 1930s. 

These testimonies make for harrowing reading, but that is no reason not to read them. Previously enslaved people recounted the horrors of these “visits”—the deaths of loved ones, the rapes, the lingering physical and psychic wounds, the loss of hard-earned wealth—with dignity and courage, knowing full well the risks they ran by testifying. Williams honors their suffering by placing them at the center of this important, overdue correction to the historical record.

Kidada E. Williams demonstrates that the progress of the post-Civil War Reconstruction was hampered by a not-so-secret war against Black citizens.

Essayist, novelist and Seattle University professor Sonora Jha follows up her acclaimed memoir, How to Raise a Feminist Son (2021), with her second novel, The Laughter, a masterfully told, thrilling investigation of privilege, heritage and exoticisation set against the backdrop of the American college campus. 

The novel centers on Dr. Oliver Harding, a middle-aged white male professor at a liberal arts university in Seattle. Oliver is an accomplished academic, best known for his research into the early 20th-century English writer G.K. Chesterton. Oliver’s personal life, however, is solitary and unfulfilling. His strained relationship with his daughter is his only meaningful one. 

Oliver becomes fixated on Ruhaba Khan, a Muslim professor in the university’s law school and a political firestarter on campus. Ruhaba has recently taken in Adil Alam, her teenage nephew from France who is seeking to distance himself from some trouble back home. Oliver begins mentoring Adil in an effort to impress Ruhaba, through privately Oliver exhibits contempt for and mistrust of their Muslim heritage. 

In addition to their personal entanglement, Oliver and Ruhaba find themselves on opposite sides of a political upheaval on campus, where an energized and diverse collective of students is attempting to seize power from privileged white faculty members who fear their own irrelevancy. These personal and political matters lead to a heartbreaking conclusion, one which readers have been warned is coming but is made no less shocking by its inevitability.

Deeply complex and meaningful yet still an enthralling read, The Laughter is an ambitious novel that explores American social dynamics while never being preachy or overbearing. Jha’s characters represent vastly disparate political ideas, but she handles each of them with great precision and care. With this novel, she offers us a creative window into the sociopolitical dynamics that continue to reinforce cultural divisions in this country. It’s a must-read for those seeking to understand today and dream of a better tomorrow.

Sonora Jha’s characters represent vastly disparate political ideas, but she handles each of them with great precision and care. With this novel, she offers us a creative window into the sociopolitical dynamics that continue to reinforce cultural divisions in this country.

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